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	<title>Comments on: How I Learned Piano from Soccer Practice</title>
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	<lastBuildDate>Mon, 23 Sep 2013 22:41:43 +0000</lastBuildDate>
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		<title>By: Why do kids quit piano? &#124; The Wolfric Academy Blog</title>
		<link>http://www.wolfric.com/blog/soccer-practice/#comment-8</link>
		<dc:creator>Why do kids quit piano? &#124; The Wolfric Academy Blog</dc:creator>
		<pubDate>Wed, 05 Jun 2013 22:38:16 +0000</pubDate>
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		<title>By: Deborah Fortier</title>
		<link>http://www.wolfric.com/blog/soccer-practice/#comment-4</link>
		<dc:creator>Deborah Fortier</dc:creator>
		<pubDate>Tue, 16 Apr 2013 14:41:31 +0000</pubDate>
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		<description><![CDATA[Everything put forth here is good and healthy and useful, and, except for the warming up part (I tend to neglect that), I use with my students. 2 things to add: sometimes I take a passage out of rhythm to make an exercise out of it, or make a new exercise out of it, if the student is struggling physically with it and 2) instead of the pennies I implement the &quot;no mistake method&quot;, which simply means that once a mistake is made, one has to go back to the beginning. If strictly enforced (&amp; this can apply to fingering, rhythm, dynamics, etc besides just notes), this stops a student from making the mistake before they make it. And believe it or not, they like it, and of course, it does get results. I make sure that the goal is do-able as, for example, just one phrase, or one section 3 x (or 1 x, or 10 x) without a mistake (at the final time on the last note a mistake is made, I still have them go back to 1st x around). The sports analogy is always good, especially considering how sports-minded people are these days. I say: &quot;If a basketball player gets the ball in the basket, does he then say, &quot;ok I&#039;m good&quot;, and walk away? No, they do it over and over and over, from all places and under all conditions.]]></description>
		<content:encoded><![CDATA[<p>Everything put forth here is good and healthy and useful, and, except for the warming up part (I tend to neglect that), I use with my students. 2 things to add: sometimes I take a passage out of rhythm to make an exercise out of it, or make a new exercise out of it, if the student is struggling physically with it and 2) instead of the pennies I implement the &#8220;no mistake method&#8221;, which simply means that once a mistake is made, one has to go back to the beginning. If strictly enforced (&amp; this can apply to fingering, rhythm, dynamics, etc besides just notes), this stops a student from making the mistake before they make it. And believe it or not, they like it, and of course, it does get results. I make sure that the goal is do-able as, for example, just one phrase, or one section 3 x (or 1 x, or 10 x) without a mistake (at the final time on the last note a mistake is made, I still have them go back to 1st x around). The sports analogy is always good, especially considering how sports-minded people are these days. I say: &#8220;If a basketball player gets the ball in the basket, does he then say, &#8220;ok I&#8217;m good&#8221;, and walk away? No, they do it over and over and over, from all places and under all conditions.</p>
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